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Jimi Hendrix : VIP Deal TODAY ONLY for West Coast Seattle Boy at Pop Market!

Today and today only West Coast Seattle Boy is being offered at 50% off the original price at PopMarket.com!

This collector's edition box set tracing Jimi Hendrix's journey from sideman to star at the VIP Pop Market member price of $34.99!
4 CDs + 1 DVD
Includes more than 45 previously unreleased tracks
Nearly 4 hours of NEW Jimi Hendrix music
Acclaimed documentary, "Jimi Hendrix: Voodoo Child"
60-pg booklet with never before seen photos and detailed liner notes An essential and historic addition to the Jimi Hendrix catalog, West Coast Seattle Boy tracks Jimi's incredible journey from R&B sideman to international acclaim.

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KISS Rocker Paul Stanley To Be A Dad Again

KISS star Paul Stanley is going to be a father again. The singer-and-guitarist and his wife Erin have announced they are expecting a baby girl - their third child together.

He told People: "There is nothing greater in life than family, and my accomplishments as a father rank at the top of my successes. Erin and I are blessed with our expectation of the addition of another princess to our family and a new member of the KISS army."

The new arrival is due in August and the family, which includes Colin Michael, four, Sarah Brianna, two, couldn't be happier.

And Paul, who also has a 16-year-old son, Evan Shane, from a previous relationship, isn't worried about the impending sleepless nights, despite his advancing years. The 'Rock and Roll All Nite' singer joked: "I may be 59 but the only rocking chair this rocker is getting ready for is the one for my new baby."


Paul is set for a busy 2011 as KISS are recording their 20th studio album this year.

The group, which is comprised of Paul and bass player Gene Simmons from the band's original line up alongside guitarist Tommy Thayer and drummer Eric Singer, are planning to head into the studio in March to start work on the follow-up to 2009's 'Sonic Boom'.

Tommy recently said: "The great news is that we are going in the studio again in the next month or two. We are starting to work on writing some songs, approach it just like we did with 'Sonic Boom' and keep it all in the band in terms of the writing, with no agenda besides writing great rock n' roll songs that we love.

"I'm sure you'll see a spanking new KISS album that's gonna kick some butt soon!"

Underrated Rock Guitarists

Jake E Lee

Ozzy Osbourne's "other" guitarist, Jakey Lou Williams was for a long time the "also-ran" guitarist who joined bands and then left before they got famous - he did this with Mickey Ratt, who later became RATT, with Rough Cutt, and in Dio - each time not staying long enough to contribute to the band'sdebut release. His turn came around however, joining Ozzy Osbourne after the untimely demise of Randy Rhoads. He played on Bark At The Moon, and then on The Ultimate Sin, both of which are some of Ozzy Osbourne's strongest material. He is often overlooked however, due to the iconic status of Randy Rhoads, and the imposing presence of the man who replaced him, Zakk Wylde. He left Ozzy Osbourne's band in 1987, briefly playing in the band Badlands before fading to a relative obscurity.


Micky Moody

So many high profile guitar heroes have done a stint in Whitesnake, including such famous names as John Sykes, Steve Vai, Warren DeMartini and Vivian Campbell, that Michael Joseph "Micky" Moody is often overlooked and not given his due. Micky Moody, however, was the original guitarist, and played on nine of the band's albums - more than half of the band's catalogue! His tenure in the band was for 6 years, making him one of the longest serving guitarists in the band - On this score he is edged out by Adrian Vandenberg, Reb Beach and Doug Aldrich - however he probably takes solace in the fact that these guys devote a significant amount of their time reprising music that he created.


Craig Goldy

Another alumnus of the LA band Rough Cutt, Craig Goldy stayed in the band long enough to contribute to their early material. He followed a similar path to Jake E Lee by moving from that band to play in Dio, this time after the band had had two extremely succesful albums with guitarist Vivian Campbell. He contributed to the albums Dream Evil, Master of the Moon, and Magica - some of the very favourites for die-hard Dio fans. He was the last guitarist in the band, although was replaced on tours by Doug Aldrich for some dates, due to hand injuries.


Ross The Boss

Ross "The Boss" Friedman invented New York Punk, and then went on to play heavy metal in the loudest band in the world. In 1973 he cofounded The Dictators, the New York rock band that invented punk music. This band, along with the New York Dolls, influenced the punk rock bands that came later in the '70s and caused much public controversy, including The Ramones and The Sex Pistols.

By 1978, after three albums, The Dictators had disbanded and Ross The Boss had become a guitarist for hire. In 1980, backstage at a Black Sabbath concert in England, Ross The Boss met Joey DeMaio and together they founded Manowar, who went on to become one of the biggest bands in heavy metal, and still hold the world record for being the loudest band ever.

As a guitarist, Ross The Boss was a master of "tight but loose", playing with conviction and feel, with one foot in the blues and one foot in shred guitar. At the moment he plays in The Dictators as well as in the Ross The Boss Band.


Tracii Guns

The founder of LA Guns, and of Guns N Roses, Tracii Guns never quite became the household name that many of his contemporaries like Slash, Axl and Nikki Sixx did. This is a shame, because he is one of the best songwriters, performers and musicians of that era. A man who effortlessly and seamless combined blues, rockabilly and country with punk, rock, shred and metal, he's one of only very few guitarists who can claim to be both versatile and uniquely idiosyncratic. Tracii guns still plays in LA Guns today, and now uses a Floyd Rose equipped Telecaster-style electric guitar along with Marshall amplifiers.

Dan Hawkins

The "other" guitarist in The Darkness, Dan Hawkins was often overshadowed by his by his older brother Justin Hawkins, the flamboyant singer/electric guitar player/frontman for the band. It's easy to see why Justin got so much of the limelight - his falsetto singing, stage poses, adventurous outfits and outrageous performances onstage, and his hijinks and misadventures offstage were always bound to get the most attention from critics, journalists and fans alike. But the whole time while Justin was running around, pouting, and drinking enough champagne to drown Andorra, Dan Hawkins was there laying down the riffs and the hooks that made the band famous. With a killer tone delivered by the classic pairing of a Gibson Les Paul and a Marshall stack, he was also a key songwriter for the band, and was involved in the production of the albums. He now plays in the band Stone Gods.

Eric Clapton to auction guitars for rehab charity

British musician Eric Clapton will sell more than 70 guitars from his personal collection in an auction in New York in March, with the proceeds going to his drug and alcohol rehabilitation center in Antigua.

Bonhams auctioneers will conduct the March 9, 2011 sale, which also includes instruments donated by Jeff Beck, J.J. Cale and Joe Bonamassa.

Featured in the auction are instruments and amps by Fender, Gibson, Marshall, Martin and Music Man, among others. Estimates for the amps and guitars range from $300-30,000, Bonhams said.

Highlights include one of Clapton's main stage guitars from 2005, one of a pair he used during the Cream Reunion Shows in London and New York -- a custom built black Fender "Eric Clapton Signature" Stratocaster estimated at $20-30,000.

Also on offer is a pair of Marshall vintage basket weave speaker cabinets, from around 1970, used during the 1970s when Clapton appeared with Derek And The Dominos. The pair is expected to fetch $8-10,000.

The auction is being held in association with Wallace & Hodgson, who worked on the two previous Clapton/ Crossroads guitar auctions in 1999 and 2004.

Joe Satriani Electrifies the Best Buy Theater

Guitar hero Joe Satriani shredded his way through a blazing two hour set in New York last night, awing an audience for the second night in a row at the Best Buy Theater.

Despite harrowing, arctic winds that tore through the city streets, fans came out in droves to see the legendary ‘Satch.’ The guitarist is touring behind his newest album, Black Swans and Wormhole Wizards, and last night’s show demonstrated beyond question that the virtuoso, responsible for instructing players as reknown as Steve Vai and Metallica’s Kirk Hammett, is as on top of his game as ever.

From the second Joe hit the stage, the underground Best Buy Theater was turned into a world of screaming guitars and otherworldly effects. Satriani is a master of not only rapid-fire playing, but riding a seemingly endless tone up and down the fretboard, diving with the whammy bar only to soar back up in ear-bursting squeals. Fans closest to the stage stared open-mouthed, simply in awe as they watched his fingers fly almost faster than the eye could follow. Virtually every song was instrumental, but unlike most of his rock contemporaries, Satriani fills every second of music with such original, exciting moments and emotion that there simply isn’t room for vocals even if he wanted.

The musician had great stage presence, never removing his green-tinted sunglasses as he strode about and bobbed his head back and forth, leaning back into the crunch of his backing band’s rhythm. The band, consisting of a drummer, keyboardist, bassist and rhythm guitarist, was tightly locked in with their frontman, blasting through tight beats and stopping on a dime, giving Satriani more than enough audio elbowroom to run wild all over their foundation, sounding as well as looking otherworldy as his guitar effects and arpeggio-filled tapping created a rich sonic tapestry.

The show went on for an impressive two straight hours, including a half dozen tracks from the new record which were received just as well as the classic material. Watch my video of new, ultra-catchy song Premonition on the left side of the page. While guitar noodling can get old after a while, Satriani never faltered, keeping things interesting by demonstrating his absolute mastery of the instrument. He broke out acoustic guitars, a harmonica, and engaged in a duel with his keyboardist, battling back and forth on riffs until the keyboardist was finally unable to match a particularly epic high note bent into an impossibly long, overdriven squeal. Later, Joe played the same game with the crowd, fans doing their best to imitate the guitar licks with their voices, but if one thing was proven last night, it’s that no one or instrument can truly match what Satriani does best.

Charmingly polite in his short stage banter between songs, Joe finally took the microphone to sing on the bluesy Big Bad Moon, letting loose with a smooth singing voice that really deserves to be heard more often. Fans, who were sitting for most of the show, finally rose to their feet, and crowded right up to the stage, hands outstretched as Satriani effortlessly blazed his way across every inch of fretboard. He then encored with fan favorites Crowd Chant and Summer Song, his lightening guitar magic as impressive as it was in the beginning of the concert.

Joe Satriani might not have radio hits or rabid fanclubs like other hard rock artists, but make no mistake: This is one of rock’s greatest players, and one of rock’s greatest writers as well. Words can’t truly relate the magic of witnessing Mr. Satriani in person, and fortunately he seems set to continue writing and touring for a long time to come, both solo as well as his roles in supergroup Chickenfoot and the vaunted G3 tours. But in the meantime, fans can check out plenty of video on Youtube, buy his latest record, and be sure that next time Joe comes to town, they are in the crowd and ready to surf with the alien.

Jeff Loomis: Nevermore’s Seven-String Shredmaster

With his blistering fast lead chops, impeccably clean technique, and exceptional composition skills, Jeff Loomis is recognized as one of the top guitarists on the progressive metal scene today. Since the early 1990s, the guitar virtuoso has been a primary creative force in the Seattle-based band Nevermore, and he’s recently spread his wings as a solo artist with the impressive debut effort Zero Order Phase.

One rainy Seattle afternoon, Jeff and I chatted about technique, gear, and all things guitar for a BOSS Tone Radio podcast. To listen to the complete conversation and clips of his music, visit www.BossUS.com/podcasts.

Cry Baby: The Pedal That Rocks the World

Guard House Pictures is proud to announce the trailer release of Cry Baby: The Pedal That Rocks the World, a definitive documentary that tells the story of the #1-selling effects pedal of all time, from its invention in 1966 through its evolution into the present day. The effect was an essential ingredient in the creation of classics like Jimi Hendrix's "Voodoo Child (Slight Return)," Metallica's "Enter Sandman," and Guns 'n' Roses' "Sweet Child o' Mine."

This film looks at how engineer Brad Plunkett discovered and developed the legendary wah sound and how artists have used it to express themselves throughout its evolution. Guitar icons such as Eddie Van Halen, Kirk Hammett, Slash, Dweezil Zappa and Jerry Cantrell talk about how the wah has become a part of their signature sounds, while rock journalists such as Rolling Stone's Ben Fong-Torres and Guitar Player's Art Thompson explore the pedal's cultural significance.

Learn how a simple effect became one of the most important tools of expression for guitarists everywhere.
Click for view

As Finland's Children of Bodom prepare to join forces with Black Label Society on their upcoming Berzerkus tour, guitarist/frontman Alexi Laiho reflects on the path that got them there.

Serious fans of heavy metal shredding have had little to complain about this year. Between the numerous package tours featuring the guitar heroics of Megadeth's Chris Broderick, Ozzy Osbourne's Gus G. and countless others, arpeggios and sweeps have been gushing out of amps all summer like BP's oil leak in the Gulf of Mexico.

But for true connoisseurs of six-string ferocity, the knife fight of the year will take place this autumn when Black Label Society's Zakk Wylde and Children of Bodom's Alexi Laiho face off on the Berzerkus tour package. While Wylde is something of a national treasure, Laiho is still a bit of a cult figure.

Born Markku Uula Aleksi Laiho, the guitarist recorded his first album with Children of Bodom in 1997 in Finland. Since then, he and his Nordic band have released six studio efforts, two live albums and an assortment of EPs and DVDs. Beginning as a death metal unit, Bodom rapidly discovered their own unique voice by mixing and matching elements of Scandinavian black metal, European progressive rock, American thrash and Eighties hair metal into a compelling blend of flat-out aggression, catchy choruses and instrumental virtuosity. Are You Dead Yet?, Blooddrunk and last year's album of cover songs Skeletons in the Closet established them as rising stars in America, and tours with the likes of Megadeth and Lamb of God sealed the deal.

Not surprisingly, Laiho, Bodom's vocalist and guitarist, has been singled out for attention. Looking like a trendy, young vampire, and shredding like a 21st century Randy Rhoads, Alexi mixes bluesy hard rock ferocity with dashes of Western classical harmony that rarely sounds fussy in the way that European metal often can. For example, on "If You Want Peace...Prepare for War" from 2005's Are You Dead Yet?, he takes most of what's good about the past 20 years of hard rock lead playing and condenses it into concise, violent blasts of sonic rock salt.

But as Laiho reveals when we sit down with him to discuss the upcoming Berzerkus tour, he's still growing as a guitarist. "I'm still hungry to play and improve," he says. "I still practice every day. I would never think, Okay, now I'm finally good enough."

Does that mean Laiho is pumped and primed to, er, "Finnish off" Zakk Wylde in the upcoming guitar slugfest?

"Zakk is one of the best, for sure," he says. "Everyone who was involved with Ozzy Osbourne were the guys I looked up to when I was learning to play. Randy Rhoads, Jake E. Lee and Zakk were some of my biggest influences. Zakk's playing is just so over-the-top crazy, and he's a great singer, too."

Click here to read the full interview on GuitarWorld.com! 

Clapton Voted No.1 Guitar Hero

Eric Clapton was voted the top guitar hero at this week's Guitar Nation Live show in London. The poll was taken at a booth hosted by instrument insurance company Allianz Musical Insurance.

"It's great to see that the U.K. still has a strong rock star tradition," Allianz's Claims Manager Robin Stagg told the press.

Two more U.K. natives, Jimmy Page and Jeff Beck, also made it into the top 5. The top 5 guitarists in the poll were Eric Clapton, Jimi Hendrix, Jimmy Page, Jeff Beck and Chuck Berry.

Clapton will have the opportunity to prove that he still deserves the title when he goes on tour in the U.K. next year. Slowhand will play shows in Dublin, Belfast, Glasgow and Cardiff before participating in a six-night residency at the Royal Albert Hall in London.

Nirvana : On this day

1991, Nirvana recorded a performance for BBC TV music show Top Of The Pops in London. When asked to lip-sync ‘Smells Like Teen Spirit’ to a pre-recorded tape Kurt Cobain protests by singing in a low-pitched funny voice with the rest of the band not even trying to mime in-time to the track.

Programme Title: Top of the Pops
Broadcast Date/s: 11/28/91
Length: 4 Minutes
Notes: Kurt was apparently 'possessed' by the spirit of ex-Smiths singer Morrissey for this performance. The footage was also used in Live Tonight! Sold Out! and Kurt and Courtney. It has also been regularly repeated on BBC TV as well. The performance was recorded on 27th November, 1991.

Content: Smells Like Teen Spirit

Canadian Rockers Rally in Support of Guitar Wizard

Toronto, Canada

A plethora of Canada’s best rock and blues musicians are banding together in a benefit concert for well-loved, Canadian Guitar Hero, Frank Soda. Vancouver’s Soda, who is in Toronto for cancer surgery was a staple of the bar scene in the 1970’s as the front man for his band The Imps.

The diminutive guitarist was an early exponent of rock theatre, often performing with an exploding television set on his head. But it was Soda’s guitar work that made him a legendary performer on the Toronto bar circuit, including the Piccadilly Tube, where The Imps recorded their album, Live in the Tube. Influenced by the likes of Clapton, Beck, Page, and Hendrix, Soda’s skills with an electric guitar were out of all proportion to his short stature. Soda’s remarkable energy and charisma, fuelled his incendiary rock and blues solos, guaranteeing The Imps sold our houses, night after night. The Carpet Frogs’ front man, Nick Sinopoli, comments:

“Frank is a great musician and a helluva nice guy. He’s influenced so many guitarists and gave me my start. It’s only right that we do what we can to help him.”

The benefit concert will take place at the Rockpile on Sunday November 28th. Doors open at 6PM and the bands hit the stage at 7PM. Admission is $10.00 with all proceeds going to a fund to offset Frank Soda’s medical expenses.

Partial list of performers:
CONEY HATCH
WILD "T"
SCARPELLI
THE ANTLERS W/MIKE TILKA & TERRY WATKINSON
ROCKIZOID W/DENNIS DEMARCHI
RUSSELL "DWARF" GRAHAM
MICHAEL WHITE
THE HINGES
The EMCEE WILL BE MIKE MANDEL

The Rockpile is at 5555 Dundas Street West phone (416) 504-6699

Gibson Randy Rhoads Les Paul Custom

The guitar is based on Randy’s 1974 original Les Paul Custom, with 200 VOS and just 100 Aged examples available world-wide. This VOS is finished in Randy Rhoads White which, to our eyes at least, is a little heavy on the yellow.
It features a pair of brand new pickups, a pair of Gibson Custom's new Super '74 humbuckers that reside beneath two worn covers. The units are based around Alnico III magnets for added authenticity and sound very cool indeed.
The pickups are selected by a standard Switchcraft three-way toggle that, here, also beards a brass tip and plate, just like Randy’s. The quartet of controls are classified as CTS 500k audio-taper potentiometers, and work perfectly.
The Gibson logo is bereft of the dot over the eye, just as the original mid-seventies Customs were, and the headstock is pitched at 17 degrees. The neck is fashioned from three pieces of mahogany and the very smooth ebony board features 22 medium jumbo frets. Model is numbered RR127 and the rear of the headstock also bears tuner holes to recreate the aperture left when Randy switched out the originals.Each guitar comes with its own Custom Shop hard case that bears the man’s squiggle. Is there anything as cool as an aged Alpine White Les Paul Custom? Tone down the yellow of the finish and  be sold.

With an impressive two songs in Gibson.com’s Top 50 Guitar Solos of All Time (“Crazy Train” and “Mr. Crowley”) and a legion of fans still worshiping his unparalleled shredding abilities 28 years after his blazing career was cut short, Randy Rhoads is firmly established as one of the brightest stars in the metal-guitar heavens. After forming Quiet Riot while still in his teens, Rhoads stepped up his game when Ozzy Osbourne asked him to audition for his own band in 1979. Along came Rhoads, a practice amp in one hand, and his beloved 1974 Les Paul Custom in the other – and before the young guitarist had even finished his warm-up licks, Osbourne told him “you’ve got the gig.” What followed was an amazing ascent, but a too-swift ending, which earned Randy Rhoads a unique place in rock history.

To honor this achievement, Gibson Custom is releasing the Randy Rhoads 1974 Les Paul Custom, an instrument crafted in the image of Rhoads’s own much-loved, much-played instrument, and limited to only 100 hand-aged and 200 VOS guitars. Don’t be fooled by the light yellow color in the live shot. Gibson artisans have worked closely with the Rhoads family to perfectly reproduce the exact rich amber color of the original guitar. Rendered in period detail, the Randy Rhoads 1974 Les Paul Custom captures all the fire and aggression of this hard-rock favorite of the early ’70s, including numerous details that were particular to the model’s production for a relatively short period of time. Specific woods, pickups and dimensions have been painstakingly recreated by Gibson Custom, and the precise look of Rhoads’s own guitar also has been captured. One hundred examples of the Randy Rhoads 1974 Les Paul Custom will be hand-aged by Gibson Custom to match the playing wear and road abuse experienced by the star’s guitar, while another 200 will be treated to Gibson Custom’s VOS process to present the look of a gently aged instrument. All in all, this is the closest any fan, player or collector can get to owning Rhoads’s own guitar… without owning Rhoads’s own guitar.

Album Review: Kid Rock – Born Free

Kid Rock’s best days in the rap-rock game are far behind him, though it is known that he can rock a mean turntable. It has been over a decade since Devil Without A Cause made Rock a late ’90s smash overnight, but subsequent releases like Cocky, Kid Rock, and Rock & Roll Jesus (*cough* pretentious *cough*) noted an evolution steering clearer of rap, furthering instead a penchant for Bob Seger impersonations. One could claim Rock is going the way of Jovi by pretending to be a country boy (from fucking Jersey?), complete with arena gigs where old ladies melt for a blond Kroeger, but I digress.
Born Free is the latest from our formerly bad-ass American; this is an album that tries so damned hard to be steady southern rock, coming shy of a respectable clone. First, let us get the positive points noted quick and painlessly.
Rock’s years of advancing toward something more mature seem to have finally paid off to some extent. Opening titular single “Born Free” is a powerful tune all around, being cribbed by TBS for its 2010 MLB coverage; Chili Peppers drummer Chad Smith, Los Lobos guitarist David Hidalgo, and Heartbreakers keyboardist Benmont Tench take the place of Rock’s typical Twisted Brown Trucker backing band (it pays to have friends when Kracker has screws loose); production by Rick Rubin yields more stripped-down bar band elements to yet another album in his oeuvre, indicating his and Rock’s cameo in the video for Johnny Cash’s “God’s Gonna Cut You Down” wasn’t coincidence.
Songs like “Rock Bottom Blues” and “God Bless Saturday” are the biggest indicators that the Kid is hard at work trying to bring on a Silver Bullet 2.0. If it were anyone else, we’d mock the stuffing out of ‘em, but coming from Kid Rock, we know what to expect, and this is a big step up from crap like “All Summer Long”. The general mood about Born Free is to promote a feel-good summer vibe during this chilly time of year, a record to pop on and pop a top with friends over. Unfortunately, it’s as if Nickelback made an entire album of nothing but “This Afternoon” remixes. A little originality, please?
Two tracks off of Born Free include marketable and redeeming collaborations: a second tag-along by Sheryl Crow on “Collide”, and a double whammy by default country high-note Martina McBride and rapper T.I. on “Care”. It should be noted, while the Crow endeavor comes off pretty generic, “Care” is probably the best song on an effort that is otherwise strictly a series of bluesy tunes. Why? Everyone does their parts grandly, even guest pianist…Bob Seger.
Wait, what? Oh yeah, Bob Seger plays piano on a Kid Rock album, while the rap-rocker himself shamelessly copies him. Last fucking straw, Kid.
Rock forces his notes through a scratchy sandpaper straw and a pseudo-garage rock counting off before every other song on Born Free, instead of relaxing himself as proven in songs like “Only God Knows Why”; Rock is a glorified MC who sang over a Lynyrd Skynyrd/Warren Zevon loop and called it a “sample”. Can you say “blatant rip-off”? Kid Rock went from mindless indulgences like “Three Sheets To The Wind” and a guest spot on ICP’s debut release, to making songs that would be justifiable go-to filler in your local dive’s jukebox. The Double Deuce wouldn’t have been caught dead with this garbage; blind white boys play better rock music. Even the all-star band behind Rock was held back, like having Rex Harrison recite lines from American Pie — there’s only so much you can do.
In the end, it comes down to one fact alone – I would rather hear “Her Strut” over and over, right after pardoning “Shakedown”, than go through this forgery again. If not for Seger and company’s contributions, the raspy out-of-water element that is Kid Rock would have been completely lost. I like to think Seger did his pieces at gunpoint, in a separate room. Now, who’s taking bets on whether or not T.I.’s bit role should be considered community service? Does he get out of jail early for such generous behavior?

Viagra’s new TV raih the blues: The Chicago blues

Bagi kami, blues hanya terdengar benar,” katanya. “Ini bergema dengan orang-orang dengan cara yang benar-benar otentik Dan itu membawa kami ke Howlin ‘Wolf, yang merupakan salah satu pelopor besar blues Jadi, ia adalah seorang tokoh besar bagi kita untuk menarik dari Begitu kita mendengarkan..’. Lightning cerobong asap, ‘dengan vokal jelas dan kinerja harmonika, kami pikir itu adalah cara sempurna untuk menemani kisah kami mengatakan. “
Besch, siapa yang seorang direktur kreatif eksekutif di McGarryBowen, mengatakan musik Wolf terpancar lain unsur kunci dalam kampanye Viagra – maskulinitas. “Lagu Wolf’s memiliki getaran benar-benar yakin untuk itu,” katanya. “Rasanya sangat maskulin – itu benar-benar dikomunikasikan nada pasir dan gaya tentang siapa orang ini sebenarnya.”
Semua yang AdSpeak selain tentang kepercayaan dan maskulinitas, aku harus berpikir bahwa jika Wolf masih hidup hari ini, ia akan mendapatkan tendangan besar mendengar salah satu lagunya digunakan untuk plug Viagra, begitu seseorang menjelaskan kepadanya apa produk itu untuk. Aku melihat Wolf beberapa kali ketika saya masih remaja dan bahkan di senja karirnya ia mengalir daya tarik seks, selalu menggambar ooh dan aah dari wanita South Side Chicago menonton dia bekerja sihirnya di klub blues lokal. Bahkan, jika Anda mendengarkan lirik dari beberapa hits Wolf, seperti “Back Door Man,” “The Red Rooster” dan “Wang Dang Doodle,” Anda bisa mengatakan bahwa Wolf memahami esensi dari Viagra, jauh sebelum itu bahkan diciptakan.

menyajikan Morganfield Enterprises

William “Big Bill” Morganfield adalah putra Legenda Blues Muddy Waters dan telah muncul dalam beberapa tahun terakhir sebagai salah satu talenta blues terbaik di Amerika. Bill telah melakukan di banyak festival utamanya di seluruh dunia dalam 12 tahun terakhir, membawa pengalaman musik murni dan bag of joy kepada ribuan penggemar musik. Menawan, Lucu, Sexy, Amazing, dan Sensasional adalah kata-kata yang menggambarkan artis ini berbakat!

CD Bill terbaru, BORN LOVER (co-diproduksi oleh Bob Margolin, Muddy Waters alumnus band), dirilis pada tanggal 7 Juli 2009 dinominasikan untuk Best Blues Recording Tradisional tahun 2009 oleh Chicago Music Awards.

Bio:


William “Big Bill” Morganfield, lahir 19 Juni 1956, Chicago, Illinois, adalah seorang penyanyi dan gitaris blues Amerika. Morganfield dibesarkan oleh neneknya, Verdell Clark, di Florida Selatan. Dia datang ke musik di kemudian hari, setelah pertama kali bekerja sebagai guru setelah mendapatkan gelar sarjana dalam bahasa Inggris dari Tuskegee University dan Komunikasi dari Universitas Auburn.

Banyak pria mencoba mengikuti jejak ayah mereka ketika mereka bergabung dengan bisnis keluarga. Morganfield tidak mengambil tantangan sampai beberapa tahun setelah ayahnya meninggal pada tahun 1983. Dunia Blues berduka atas meninggalnya Muddy Waters. Muddy ibarat lubang menganga di kancah blues tetapi anak yang berduka cita yang merenungkan bagaimana menangani kerugian. Bill membeli sendiri gitar dan mundur dari dunia pribadinya, berniat untuk belajar sendiri cara bermain dan kemudian memberi hormat kepada ayahnya yang terkenal itu. Memang, ini adalah awal dari Big Bill Morganfield sebagai Bluesman dan awal perjalanan blues nya….

Enam tahun yang panjang , tahun-tahun dimana Morganfield menghabiskan untuk belajar sendiri cara bermain instrumen. Ia mempelajari gaya blues di masa lalu. Kata Bill, “Aku belajar blues tradisional yang lama, lagu yang ditulis pada tahun 1930 ke tahun 1950.” Suatu malam menghabiskan bermain kecapi di Center Stage di Atlanta dengan Lonnie Mack .


DISCOGRAPHY

Morganfield recorded RISING SON (on Blind Pig Records) di Chicago tahun 1998, melihatbeberapa sesi rekaman Waters . Bob Margolin, gitaris Waters, menjabat sebagai produser dan juga tampil di album ini. Menampilkan beberapa teman band Waters ‘, termasuk; drummer Willie “Big Eyes” Smith, pemain piano Pinetop Perkins, dan pemain harmonika Paul Osher. Juga hadir bassis Robert Stroger, seorang mantan anggota band Sunnyland Slim.

Bill kembali ke Chicago pada tahun 2001 untuk membuat sophomore nya rekaman RAMBLIN’ MIND, (on Blind Pig Records) yang diproduksi oleh Dick Sherman. RAMBLIN ‘PIKIRAN menampilkan sebuah tampilan dengan Taj Mahal. Taj juga memberikan kontribusi komposisi aslinya “Strong Man berteriak” ke album.

Pada tahun 2003 Big Bill melanjutkan perjalanan blues, dengan BLUES IN THE BLOOD, (on Blind Pig Records) yang diproduksi oleh Jimmy Vivino dan Brian Bisesi. Musik, itu sangat berakar pada Delta Blues, tetapi dengan cara modern. Bill berseru “itu mewakili dimana aku sekarang dalam perjalanan saya”. BLUES IN THE BLOOD memenuhi janji kebesaran yang ditampilkan dalam rekaman debutnya. Tidak hanya fitur suara khas Bill yang berderak dan gitar slide gemilang, tetapi ia juga menampilkan sebagai penulis lagu, semua lagu ditulis oleh Morganfield kecuali satu. Disk memegang nomor satu titik di Living Blues Radio Charts selama 3 bulan.

Pada tahun 2009, Big Bill Morganfield memulai perusahaan rekaman sendiri, Black Shuck Records. Black Shuck Records didukung oleh VizzTone Label Group. CD Bill terbaru, LAHIR LOVER, dirilis 7 Juli 2009, (rilis utama Black Shuck’s) dan dinominasikan untuk Best Blues Recording Tradisional tahun 2009 oleh Chicago Blues Awards.

NOW BOOKING FOR 2011 FESTIVALS AND SPECIAL EVENTS
North America Inquiries Contact:
Morganfield Enterprises
Atlanta, Georgia
Office (770) 249-0079

William Morganfield…Owner/Agent
Email: bbm@bigbillmorganfield.com


Debra Lyn…Agent
Email: debralyn@bigbillmorganfield.com

For Southwestern US Bookings Contact:

Texas Music Agency/TMA Talent
Wallace Watson…Owner/Agent
31 Royal Oaks Cir.
Denton, TX. 76210
Phone: (940) 391-1536
Email: wallace@texasmusicagency.com




For European Booking Inquiries Contact:

Break Live Music
European Booking Agency
Via del Commercio 70
63100 Ascoli Piceno ITALIA
ph/fax: 0039.0736.344251
Massimo Piccioni…Owner/Agent
e-mail: info@breaklivemusic.com
See where Big Bill has been…and where he’s going next!

Paul Reed Smith mengumumkan Guitars ‘One Night Satu Tampilkan Satu Penyebab’

Guitaris Paul Reed Smith  akan menjadi tuan rumah.  diakui Satu Malam, Satu Tampilan, Satu Penyebab. Manfaat untuk Johns Hopkins Kimmel Cancer Center di Bourbon Street di Downtown Baltimore, Maryland.
Headlining Satu Penyebab, gitar ajaib Derek Truk dari Allman Brothers dan Truk Derek Band bersama dengan vokalis bertingkat Susan Tedeschi akan membawa gaya yang unik selatan mereka blues rock ke tempat intim. Setelah muncul di album masing-masing nominasi Grammy pada tahun 2009, Derek dan Susan yang tampil bersama hanya beberapa kali dalam setahun ini, bangunan antisipasi untuk kinerja ini – hanya keterlibatan lokal mereka.
Paul Reed Smith Band juga akan muncul, bergabung pada gitar oleh tamu istimewa, Dr William Nelson, Direktur Johns Hopkins Kimmel Cancer Center. Sebuah lelang Live gitar  yang menampilkan artis lokal  akan diselenggarakan oleh Jon Levinson Alex Auctioneers Cooper.
Satu Penyebab adalah konser amal unggulan dari PRS Guitars. Sejak tahun 2000, PRS Guitars telah meningkatkan lebih dari 2 juta dolar untuk Live dengan Cancer Sumber Daya Program di Johns Hopkins Kimmel Cancer Center. Live dengan Cancer Resource Program menawarkan program perawatan dukungan dan pendidikan-kation untuk pasien dan keluarga, gratis!.
Umum masuk $ 40. masuk VIP $ 100 termasuk bar terbuka, makanan dan akses ke daerah tingkat VIP atas tampilan. Pintu terbuka 19:00. Semua umur menunjukkan.
Tickets are available through MissionTix: www.missiontix.com/
Venue Information – Bourbon Street: www.bourbonstreetbaltimore.com/

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